Sleep Token’s “II”
London, England
Sleep Token’s masked drummer, on stage behind a True Solid shell.
Plays: River Red Gum 13″ × 7″
The instruments
Each shell is carved from the very fibres of its tree – grain, colour and figure drawn over a century of growth. Every drum is serial-numbered and one of one.
The sound
Because the grain runs straight down the shell wall, a True Solid speaks with a ring akin to a metal snare – but with a prominent woody note and a warm finish on the decay. Here Paul puts one through its paces.
The ultimate recycling project
Every shell begins as a salvaged log – from dangerous trees felled on private land, or ground cleared for development. Timber that would have been mulched, burned or left to rot is chosen, dried and carved instead into an instrument that will outlive us all.
No tree is ever felled from a forest to make a drum. 100% ethically sourced, always.
Read the whole storyThe craft
There’s love in the process as well as in the name – over ten years of research and development sit behind every shell that leaves the workshop.
A network of sympathetic arborists supplies logs from healthy, stable species – salvaged from suburban removals, land clearing and scientific collections. Its location is recorded before the first cut.
Each blank receives at least three years of environmentally controlled air drying – and the densest logs wait the better part of a decade – until the shell is 100% stable and will stay that way.
The drum is hollowed from the very fibres of the tree, so sound travels straight down the grain to the resonant head – pure, unadulterated tone.
Provenance
Records are kept of where each donor tree stood – its GPS coordinates and why it came down. Touch a pin to trace a drum back to its tree.
Sample locations and stories, for this design prototype.
The Goldfields
Out along the Evanston–Menzies road in the Goldfields: the area where the Red Morrel drum log was recovered. Goldfields timbers like these – collected during scientific studies – are among the densest and hardest woods in existence.
The tonewoods
From Tuart’s antique white to Jarrah’s ruby red – slow-growing hardwoods of exceptional density, most found only in this corner of Western Australia and nowhere else on Earth.
Also in the workshop’s future: Spotted Gum · Red Morrel · Salmon Gum · Karri · York Gum
“The antique white piano of drums.”
A true vintage warmth straight out of the ’30s and ’40s swing era – a soft, creamy spread with an articulate metallic finish.
“A citrus bite.”
The most metallic drum in the line-up – a tight, saturated bottom end with an ear-whopping bite reminiscent of thick brass, rounded off with buttery warmth.
“Striking gold.”
Honey-coloured heartwood – sometimes tiger-striped, sometimes fiddle-backed – with an explosive, “nuked” midrange: rich, organic, and like none other.
“Metallic red gum.”
Freshly cut, the wood is almost blood-red. The drum is rich in tone as well as colour – a punchy, warm thump low down and a metallic bite in the upper registers.
“Ruby reds.”
The mighty Jarrah – famous worldwide for its ruby hues. Dark, rich and throaty in the low register; an ear-splitting, almost metallic crack up top.
In good hands
True Solids are already working drums – carried on tour through Québec winters, gigged in Manhattan, resident in a Swiss drum atelier. The next stage is yours.
“Very musical… everyone commented on how good it sounded – it’s really a gem! Amazing rich warm tone with plenty of crack to cut through.” Aaron Comess – Spin Doctors, New York City Grammy-nominated · on his True Solid River Red Gum 14″ × 5.5″
London, England
Sleep Token’s masked drummer, on stage behind a True Solid shell.
Plays: River Red Gum 13″ × 7″
Deraps – Western Australia / Québec
“All the explosive snap and punch of a Supra, but with the gooey warmth and colour of a wooden drum. It kind of nukes the midrange.”
Plays: Marri 14″ × 6.5″, built to his spec since 2018
Just played the Jarrah snare for three days… WOW! Absolutely amazing instrument. Bigger spectrum, more dynamic range, more frequencies – super sensitive in almost all tunings.”
Rolf Caflisch – Resident Pro, Remo’s Musikatelier, Switzerland
Tested: Jarrah, Marri & Lemon Scented Gum 14″ × 6.5″
with Dave Hole – New South Wales
Session drummer and educator, live on his True Solid Marri.
Plays: Marri 14″ × 5.5″
One of one, made for you
Every PA Lovetone snare is one of a kind – when it’s gone, there will never be another. Choose the wood, the size and the finish, and Paul will carve yours from a log that has already waited years for you. In a hurry? A finished drum is sometimes ready and waiting.